Fasce Cromate
Luigi Caccia Dominioni
Product Codes
Small Table
| D_TV5 |
Low Table
| D_TV6 | D_TV7 |
Warnings
- Keep for reference: read carefully.
- Always remember to be careful not to use the product improperly, considering its designated functions.
- When the product is no longer used, do not abandon it, but take it to a suitable public waste collection facility.
- To maintain the quality and finish of the surface, it is advisable to use protective articles (e.g. placemats or trivets) under objects that could scratched it.
This product sheet complies with the legal obligations pursuant to the "Consumer Code" Decree n. 206 dated 6/9/2005 and the "Actuation Regulation" Decree n. 101 dated 8/2/1997.
Materials
Top
glass
Base-frame
painted steel
Ferrules
steel and felt
glass
Base-frame
painted steel
Ferrules
steel and felt
Maintenance
Glass
- Dust the entire surface carefully to remove any dust (use a soft white cloth).
- We advise using normal commercial products for cleaning delicate surfaces.
- Rub the surface to be cleaned gently without concentrating just on the area requiring attention: start instead with a larger section and gradually work your way towards the area in the middle.
- That way, you will avoid rings or scratches forming, which may be produced if you apply too much pressure to the surface.
- Never use solvents or abrasive detergents.
Steel
- We advise using normal commercial products for cleaning delicate surfaces and/or warm water and neutral soap.
- Never use abrasives or products containing solvents, ammonia and/or alcohol.
- Make sure to dry the surfaces completely after washing.
Instructions
Designer
Luigi Caccia Dominioni
Luigi Caccia Dominioni (1913 - 2016) was one of the main Italian architects and urbanists of the second post-war period, and one of the precursors and founders of Italian design. He was a brilliant interpreter of Milanese and Lombard tradition. He began his professional life right after getting his degree in 1936 from the Milan Polytechnic University, when he opened a studio in the Porta Nuova district with brothers Livio and Piergiacomo Castiglioni, and dedicated his time to interior architecture, design, industrial design, competitions and outfitting.
In particular, his work in industrial design placed him as a “pioneer” at the 7th Triennale in Milan with a series of radio units designed with the Castiglioni brothers. A reference point for contemporary designers, he explored the relationship between modernity and tradition during his career, providing a definite contribution to redefining the architecture of his home city, Milan, after the second World War. His most famous works in the city are the blocks of flats in Via Ippolito Nievo, the San Felice district and the redevelopment of Piazza San Babila.
As a designer, instead, his most famous work was the Catilina armchair produced in 1957. Luigi Caccia Dominioni won the prestigious Compasso d’Oro for important projects such as the Sedia T12 Palini and the Super door. He also received the Compasso d’Oro for his career and for his objective contribution to the very definition of Italian design and the originality of its content.
In particular, his work in industrial design placed him as a “pioneer” at the 7th Triennale in Milan with a series of radio units designed with the Castiglioni brothers. A reference point for contemporary designers, he explored the relationship between modernity and tradition during his career, providing a definite contribution to redefining the architecture of his home city, Milan, after the second World War. His most famous works in the city are the blocks of flats in Via Ippolito Nievo, the San Felice district and the redevelopment of Piazza San Babila.
As a designer, instead, his most famous work was the Catilina armchair produced in 1957. Luigi Caccia Dominioni won the prestigious Compasso d’Oro for important projects such as the Sedia T12 Palini and the Super door. He also received the Compasso d’Oro for his career and for his objective contribution to the very definition of Italian design and the originality of its content.